The Sculptor Jean-Guillaume Moitte Stone The Payment Of Sound Bust Of Léonar
$ 368.81
Description
Sculptor Jean-Guillaume Moitte claims payment for his bust of Leonardo da Vinci for the Napoleon Museum Sculptor Jean-Guillaume Moitte claims payment for his bust of Leonardo da Vinci for the Napoleon Museum Document type : signed autograph letter Number of documents: 1 - Number of pages: 1 - Size: In-4 Place : Without Date : undated (circa 1805-1810) RECIPIENT : [Champagny or Crétet] State : freckles Letter from Jean-Guillaume Moitte relating to the payment of his bust of Leonardo da Vinci for the Napoleon Museum (today at the Château de Fontainebleau) . “I have just delivered to the administration of the Napoleon Museum, the marble bust of Leonardo da Vinci […]; I have only received the first installment on this book; I therefore still owe me the last two, which form the sum of sixteen hundred francs. I also provided the marble, which I estimate at two hundred and fifty francs, because it has been almost two years since this work began because at this time it would be worth almost double […]”. Jean-Guillaume Moitte (Paris, 1746/1810) Sculptor, first prize of Rome (1768), member of the Institute. He designs and completes the pediment of the Pantheon. Fixed costs: same costs for all buyers Services Shipping time: 1 business day Insurance: included in shipping costs Excluded locations: No locations are excluded Payment Payment methods accepted: Bank check Contact us for any questions. Sculptor Jean-Guillaume Moitte claims payment for his bust of Leonardo da Vinci for the Napoleon Museum Letter from Jean-Guillaume Moitte relating to the payment of his bust of Leonardo da Vinci for the Napoleon Museum (today at the Château de Fontainebleau). “I have just delivered to the administration of the Napoleon Museum, the marble bust of Leonardo da Vinci […]; I have only received the first installment on this book; I therefore still owe me the last two, which form the sum of sixteen hundred francs. I also provided the marble, which I estimate at two hundred and fifty francs, because it has been almost two years since this work began because at this time it would be worth almost double […]”. Sculptor, first prize of Rome (1768), member of the Institute. He designs and completes the
