Description
Signed Japanese Silk Painting Woman on Horse Early to Mid‑20th Century Asian Art. A beautiful and finely executed early to mid‑20th century Japanese ink and color on silk painting depicting an elegant Japanese woman in a finely detailed kimono riding a horse while being led by an attendant. A beautiful and finely executed early to mid‑20th century Japanese ink and color on silk painting depicting an elegant Japanese woman in a finely detailed kimono riding a horse while being led by an attendant. The refined palette, elegant figural composition, and restrained decorative sensibility evoke the aesthetic traditions associated with Taishō to early Shōwa period Japanese art of the first half of the 20th century. Presented under glass with a gold-lined mat and an attractive giltwood faux bamboo frame, this work has exceptional decorative presence and collector appeal. The refined muted silk ground is beautifully contrasted by vibrant crimson red, teal, lavender, black, and soft ivory tones, creating a luminous quality that becomes especially elegant in natural light. The work is signed to the lower right together with a red artist’s seal, and the signature appears hand-rendered rather than printed, adding to its authenticity and artistic character. Details: • Medium: Ink and colors on silk • Origin: Japan • Era: Early to Mid‑20th Century • Subject: Elegant Japanese woman in kimono riding a horse with attendant • Signature: Signed lower right with red artist seal • Framing: Under glass with gold-lined mat in giltwood faux bamboo frame • Frame Dimensions: 18 1/4 x 22 x 1 in. • Sight Size: 12 3/4 x 16 1/4 in. Condition: Very good vintage condition consistent with age. Colors remain vibrant and decorative presence is excellent. Please review all photographs carefully, as photos are part of the description. The painting has not been examined outside the frame. Shipping: Free shipping included. Artwork will be packed carefully for safe arrival. Dating Assessment: “Early to Mid‑20th Century Japanese ink and color on silk painting.” Working estimate: Likely c. 1920s–1950s, with a stylistic leaning toward the 1930s–1940s (Taishō to early Shōwa aesthetic influence).