Mike Leigh, Paperback by O'Sullivan, Sean, Brand New, Free shipping in the US

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Author: Sean O'sullivan Publication Name: Mike Leigh Format: Trade Paperback width: 7.1 in Publication Year: 2011 Language: English Item Width: 7.1 in Series: Contemporary Film Directors Ser. ISBN: 9780252078194 Item Length: 8.3 in Item Height: 0.5 in Publisher: University of Illinois Press Subject Area: Performing Arts, Biography & Autobiography height: 0.5 in Subject: Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production, Film / History & Criticism Book Title: Mike Leigh Number of Pages: 184 Pages Item Weight: 10.2 Oz Type: Textbook

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Mike Leigh, Paperback by O'Sullivan, Sean, Brand New, Free shipping in the US. O'Sullivan challenges the prevailing characterizations of Leigh's cinema by detailing the complicated constructions of his realism, positing his films not as transparent records of life but as aesthetic transformations of it. Mike Leigh, Paperback by O'Sullivan, Sean, ISBN 0252078195, ISBN-13 9780252078194, Brand New, Free shipping in the US In this much needed examination of Mike Leigh, Sean O'Sullivan reclaims the British director as a practicing theorist--a filmmaker deeply invested in cinema's formal, conceptual, and narrative dimensions. In contrast with Leigh's prevailing reputation as a straightforward crafter of social realist movies, O'Sullivan illuminates the visual tropes and storytelling investigations that position Leigh as an experimental filmmaker who uses the art and artifice of cinema to frame tales of the everyday and the extraordinary alike. O'Sullivan challenges the prevailing characterizations of Leigh's cinema by detailing the complicated constructions of his realism, positing his films not as transparent records of life but as aesthetic transformations of it. Concentrating on the most recent two decades of Leigh's career, the study examines how Naked, Secrets and Lies, Topsy-Turvy, Vera Drake, and other films engage narrative convergence and narrative diffusion, the tension between character and plot, the interplay of coincidence and design, cinema's relationship to other systems of representation, and the filmic rendering of the human figure. Th also spotlights such earlier, less-discussed works as Four Days in July and The Short and Curlies, illustrating the recurring visual and storytelling concerns of Leigh's cinema. With a detailed filmography, this volume also includes key selections from O'Sullivan's several interviews with Leigh.