Louis Icart -- The Presentation: Nude with Chaperone Rabelais 1936 Pantagruel.

$ 46.2

Subject: Rabelais, the trickster's revenge, Panurge, the riddle width: 7.25 in Size: Medium Item Width: 7.25 in Original/Licensed Reprint: Original Image Orientation: Portrait Features: Limited Edition Culture: european Material: Paper, Velin d'Arches paper Theme: Fantasy, gargantua Pantagruel, comic aristocrat, Trickster Type: Print Artist: Louis Icart Time Period Produced: 1925-1949 Production Technique: Heliogravure Country of Origin: France Unit of Sale: Single Piece Title: Louis Icart 1936 Original Color Heliogravure Gargantua Pantagruel height: 9.5 in Year of Production: 1936 Region of Origin: Paris, France Style: Art Deco, carnival fantasy Unit Quantity: 1 Item Height: 9.5 in Period: Art Deco (1920-1940)

Description

Louis Icart -- The Presentation: Nude with Chaperone Rabelais 1936 Pantagruel.. Le Vasseur's 1936 edition is the definitive illustrated Rabelais of the Art Deco period — a luxury bibliophile production printed by Draeger Frères in color heliogravure using multiple etched copper plates. Louis Icart — Original Color Heliogravure, Gargantua et Pantagruel (Le Vasseur Edition, 1936) Artist: Louis Icart (1888–1950) Medium: Multiple etched copper plates. Original color heliogravure (photogravure), Printer: Draeger Frères, Paris Publisher: Le Vasseur et Cie, ParisYear: 1936 Paper: Vélin d'Arches Plate mark (cuvette) is visible and lovely, the visible physical artifact of an intaglio copper plate pressed into heavy paper. Sheet size: approximately 9.5 × 7.25 inches, full margins as issued From # 446 of 900 Limited Edition Sets. Photos of the colophon and "Justification du Tirage" are for informational purpose only and are not part of the sale. Le Vasseur's 1936 edition is the definitive illustrated Rabelais of the Art Deco period — a luxury bibliophile production printed by Draeger Frères in color heliogravure using multiple etched copper plates. Louis Icart built his reputation on elegant, sensual depictions of Parisian women — polished, fashionable, and largely decorative. The 1936 Rabelais commission placed him in entirely different territory: broad physical humor and the full carnival spirit of a text that has been transgressing decorum since 1532. The result is unmistakably Icart in line and color, but working in a register — grotesque, comic, uninhibited — that his commercial output rarely required of him. Ships flat, protected in rigid mailer with archival sleeve and stiffeners.