Frans Masereel — "Amerika"— 1926 print America, by German Expressionist

$ 23.76

Theme: America 1920's Year of Production: 1926 Signed: No Country of Origin: Germany Features: 1st Edition Region of Origin: Germany Subject: Amerika, American City Type: Print Original/Licensed Reprint: Licensed Reprint Item Width: 7.25 in height: 10 in Time Period Produced: 1925-1949 width: 7.25 in Title: German Expressionist America through film, cinema, jazz age Material: Paper Production Technique: Line block relief print Period: German Expressionist Size: 7.25 x 10 inches Style: Expressionism, German Expressionism, German Expressionist, Novel without words, Early Graphic Novel, wordless Novel, Silent Book, Graphic Narrative, New objectivity Framing: Matted Unit of Sale: Single Piece Unit Quantity: 1 Artist: Frans Masereel Image Orientation: Portrait Item Height: 10 in

Description

Frans Masereel — "Amerika"— 1926 print America, by German Expressionist. Skyscrapers, smokestacks, industrial smoke rendered as pure pattern — the city as an overwhelming, self-sustaining system. Relief, line-block composition printed in 1926 'after' original works — drawings and woodcuts — by Masereel. Frans Masereel — "Amerika" — 1926 No people. Just the machine. Skyscrapers, smokestacks, industrial smoke rendered as pure pattern — the city as an overwhelming, self-sustaining system. Masereel strips America down to its skeleton and finds no human scale anywhere. He made this without ever visiting. He didn't need to. The image of America was already being exported — in films, in illustrated press, in jazz records crossing the Atlantic. He assembled the parts and got the diagnosis exactly right. A century later the smokestacks are data centers. The composition is otherwise unchanged. Printed in Dresden by Petzschke & Gretschel, 1926. Sheet 7.25 × 10 inches. Ivory paper, lightly toned at edges. Printed both sides as issued. Image strong and clean. Relief, line-block composition printed in 1926 'after' original works — drawings and woodcuts — by Masereel The jazz age and the algorithm age rhyme uncomfortably well. 1926 to 2026, the subject remains unchanged: individual humans dwarfed and scrambled by the machinery of entertainment, capital, and finance. Simultaneously quaint, ominous, and familiar.