Thomas Betzwieser Perspektiven der Edition musikdramatischer Texte (Hardback)

$ 109.73

Number of Pages: 293 Pages Subject Area: Music, Literary Criticism, Performing Arts Publication Name: Perspektiven Der Edition Musikdramatischer Texte Item Weight: 22.3 Oz EAN: 9783110548181 Publication Year: 2017 Format: Hardcover Publisher: DE Gruyter Gmbh, Walter Subject: Theater / Broadway & Musicals, History & Criticism, Drama, General, Lyrics, Genres & Styles / Opera Country of Origin: DE Topic: Music Dance & Theatre Item Width: 6.7 in Book Title: Perspektiven der Edition musikdramatischer Texte ISBN: 9783110548181 Release Date: 12/18/2017 Type: Textbook Item Length: 9.4 in Author: Markus Schneider gtin13: 9783110548181 Genre: Literary Criticism Language: German Contributor: Markus Schneider (Contributions by) Item Height: 244mm Release Year: 2017 ISBN-10: 3110548186 Series: Editio / Beihefte Ser. Title: Perspektiven der Edition musikdramatischer Texte

Description

Further Details Title: Perspektiven der Edition musikdramatischer Texte Condition: New Contributor: Thomas Betzwieser (Edited by), Norbert Dubowy (Edited by), Andreas Münzmay (Edited by), Markus Schneider (Contributions by) Author: Thomas Betzwieser ISBN-10: 3110548186 EAN: 9783110548181 ISBN: 9783110548181 Publisher: De Gruyter Format: Hardback Genre: Literary Criticism Topic: Music Dance & Theatre Release Date: 12/18/2017 Language: German Country/Region of Manufacture: DE Item Height: 244mm Item Length: 170mm Item Weight: 667g Series: editio / Beihefte Description: Die Edition musiktheatraler Texte gehört zweifellos zu den schwierigeren Aufgaben im Bereich des musikalischen Editionswesens. Dass heute immer noch Grundsatzfragen verhandelt werden, ist ein deutliches Indiz für ein fortbestehendes Forschungsdesiderat, das bereits in den 1980er Jahren von der neuen Disziplin der „Librettologia“ formuliert wurde und die das Bewusstsein für diese Textsorte geschärft hat. Vor diesem Hintergrund versuchte das interdisziplinäre Symposium (2012), dessen Bericht hier vorliegt, eine Art Bestandsaufnahme der verschiedenen methodologischen Ansätze in Literatur- und Musikwissenschaft, aber auch angesichts nationaler Prägungen des editorischen Umgangs mit musiktheatralen Texten. Entsprechend breit ist das Spektrum der behandelten Operntexte vom 17. bis ins 20. Jahrhundert. Besonderes Augenmerk liegt einerseits auf dem Ineinandergreifen von Dialog, Gesang, Tanz und Bühne, andererseits auf dem Nebeneinander editorischer Darstellungsmedien von der konventionellen Buchform über hybride bis hin zu rein digitalen Präsentationsformen. Insofern ist das Buch sowohl für traditionell operierende Editionsphilologen wie auch für Vertreter der Digital Humanities von Interesse. Release Year: 2017 Missing Information? Please contact us if any details are missing and where possible we will add the information to our listing.

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