Writing French Algeria by Peter Dunwoodie 1999 Hardcover Edition-image
Writing French Algeria by Peter Dunwoodie 1999 Hardcover Edition-image

Writing French Algeria by Peter Dunwoodie 1999 Hardcover Edition

$ 122.54

Item Length: 8.5 in Item Height: 0.9 in Publisher: Oxford University Press, Incorporated Format: Hardcover ISBN-13: 9780198159728 Item Weight: 17.6 Oz Language: English Publication Year: 1999 Author: Peter Dunwoodie Table Of Content: The end of El DjezaïrOrientalist writing strategiesWriting the (in)visible: exotic and colonialist fictionThe politics of polarity: the colonial novel and the AlgerianistsIthaca revisited: the Mediterranean of the École d'AlgerA dream deferredA question of belonging: the École d'Alger and the colonial presence LCCN: 98-037816 Number of Pages: 342 Pages Item Width: 5.4 in brand: Oxford University Press, Incorporated Intended Audience: College Audience Synopsis: Writing French Algeria is a groundbreaking study of the European literary discourse on French Algeria between the conquest of 1830 and the outbreak of the Algerian War in 1954. For the first time in English, this intertextual reading reveals the debate conducted within Algeria - and between colony and metropole - that aimed to forge an independent cultural identity for the European settlers. Through astute discussions of various texts, Peter Dunwoodie mapsthe representation of Algeria both in the dominant nineteenth-century discourse of Orientalism, via the littérature d'escale of writers such as Gautier or Fromentein, and in the colonial writing of LouisBertrand, Robert Randau, and the 'Algerianists' who played a critical role in the construction of the new 'Algerian'. Dunwoodie shows how this ultimate construction relied on an extremely selective process which marginalized the indigenous people of the Maghreb in order to rediscover the country's 'Latin' roots. The book also focuses on the dialogism operative in the works of École d'Alger writers like Gabriel Audisio, Albert Camus, and Emmanuel Roblès, interrogating theway in which their voices countered the closure of those earlier strategies and yet still articulated the unresolvable dilemma of an inherently unstable and impermanent minority whose identity remained grounded in otherness., Writing French Algeria offers a new perspective on the history of French writing in colonial Algeria. It discusses both the Orientalizing texts which followed the conquest of 1830 (by Fromentin, Gautier, Masqueray, and Loti), and the colonialist novelists who sought to depict and influence the birth of a new European race (Bertrand, Randau, and the Algerianists). Finally, it provides fresh readings of key works by the École Alger's foremostwriters: Camus, Audisio, and Roblès., Writing French Algeria is a groundbreaking study of the European literary discourse on French Algeria between the conquest of 1830 and the outbreak of the Algerian War in 1954. For the first time in English, this intertextual reading reveals the debate conducted within Algeria - and between colony and metropole - that aimed to forge an independent cultural identity for the European settlers. Through astute discussions of various texts, Peter Dunwoodie maps the representation of Algeria both in the dominant nineteenth-century discourse of Orientalism, via the littérature d'escale of writers such as Gautier or Fromentein, and in the colonial writing of Louis Bertrand, Robert Randau, and the 'Algerianists' who played a critical role in the construction of the new 'Algerian'. Dunwoodie shows how this ultimate construction relied on an extremely selective process which marginalized the indigenous people of the Maghreb in order to rediscover the country's 'Latin' roots. The book also focuses on the dialogism operative in the works of École d'Alger writers like Gabriel Audisio, Albert Camus, and Emmanuel Roblès, interrogating the way in which their voices countered the closure of those earlier strategies and yet still articulated the unresolvable dilemma of an inherently unstable and impermanent minority whose identity remained grounded in otherness., Writing French Algeria is a groundbreaking study of the European literary discourse on French Algeria between the conquest of 1830 and the outbreak of the Algerian War in 1954. For the first time in English, this intertextual reading reveals the debate conducted within Algeria--and between colony and metropole--that aimed to forge an independent cultural identity for the European settlers. Dewey Edition: 21 ISBN-10: 0198159722 Type: Textbook gtin13: 9780198159728 Reviews: 'As professor Dunwoodie reminds us, there is a huge secondary literature on Camus, but there is little understanding of the general literary milieu from which he sprang. This book provides just that, but it should be enjoyed for its own sake and not just as the key to Camus. It is a fine andrevealing history of how the French writers in Algeria wanted their presence in North Africa to be understood.'William B Cohen, African History, Vol.41, 2000., 'Dunwoodie engages his subject without resort to the jargon of literary theory. His work is thus accessible.'William B Cohen, African History, Vol.41, 2000.'As professor Dunwoodie reminds us, there is a huge secondary literature on Camus, but there is little understanding of the general literary milieu from which he sprang. This book provides just that, but it should be enjoyed for its own sake and not just as the key to Camus. It is a fine and revealing history of how the French writers in Algeria wanted their presence in North Africa to be understood.'William B Cohen, African History, Vol.41, 2000., 'Dunwoodie engages his subject without resort to the jargon of literary theory. His work is thus accessible.'William B Cohen, African History, Vol.41, 2000. LC Classification Number: PQ3988.5.A5D86 1998 Dewey Decimal: 840.9965 Subject Area: Literary Criticism, Travel Publication Name: Writing French Algeria Subject: European / French, Africa / North

Description

  1. This book offers a fascinating deep dive into the complex history of French Algeria, blending sharp analysis with engaging storytelling. Dunwoodie’s research is thorough, presenting a nuanced perspective on colonialism and identity. The hardcover edition feels sturdy and well-made, perfect for collectors or serious readers. A must-read for anyone interested in North African history or postcolonial studies!

    S.Harper32ca

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